Solvej Balle: "I felt that somehow the book was connected to the real world"

The author and 2022 winner of the Nordic Council Literature Prize discusses the interplay between real life and fiction, and how these two realms have a tendency to meet in very tangible ways.

By Solvej Balle, as told to Karoline Markholst. Photo: Sarah Hartvigsen Juncker

“When I finished my first book, LYREBIRD, I was travelling in Australia. The final part of the book was written at a youth hostel in a forest near Sydney.

I’d been sitting for several days writing and hadn’t been out walking in the forest, so, after finishing the book, I went for a walk. I’d never actually seen a lyrebird and knew that the chances of seeing one were next to none. But suddenly, two strange pheasant-sized birds rushed past me on the path and vanished again in the undergrowth.

I was excited but still thought it unlikely that I’d seen a real-life lyrebird. When I got back to the hostel, I described what I’d seen to the warden, including the strange way the birds had run alongside me, and he was convinced – they could only be lyrebirds.

He went walking in the forest every day and hadn’t seen one for ages.

I think I felt that somehow the book was connected to the real world. And I’ve had similar experiences with other books since. I think it’s quite common but it’s still surprising when it happens.”

Photo: Sarah Hartvigsen Juncker

ABOUT THE AUTHOR:

Solvej Balle was awarded the Nordic Council Literature Prize in 2022 for the first three volumes of her ON CALCULATION OF VOLUME septology, in which protagonist Tara Selter is stuck in time. The translation rights to her books have sold to 21 countries.

 

 

 

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